the rite stuff
“choose life!”
what if...?
he moves every 10 years or so when people begin to suspect him of not aging - he is in fact 14,000 years old.
we're all fighters

flynn lives... and rocks
anyway, getting to the point - one of my childhood favourites is tron. tron is a real geekfest for someone who grew up alongside the dawn of video games and computers. it was so cutting edge and so so different to anything that had gone before. in fact if you’ve seen the matrix then you full well know that tron is where the idea of man made machines going bad and taking over came from.
getting even *more* to the point, this is not a review of the original tron from the early 80s. no siree, this is my short review of the latest movie i’ve watched this week. the follow up to tron. tron: legacy.
legacy begins in 1989, seven years after the events of the first movie. flynn (brilliant bridges) imparts a short catch up bedtime story to his son, then goes missing. sam [the son] grows up into a rebel of sorts and when he is told of a message from his father, he begins a journey that will take him into ‘the grid’ his father created. here he becomes a player in the now corrupt cyberworld controlled by the corrupt CLU [cgi bridges]. and so the story goes on.
first off i have to say that this tron movie is an absolutely incredible visual feast. the colous, the games [particularly the light cycles!], the sound - it’s stunning. in fact it’s the first film that i wish i’d seen in 3d.
set almost entirely in ‘the grid’ apart from the opening and ending, the film and it’s story is spellbinding. helping this atmosphere and overall feel of the future is the daft punk soundtrack which is just too cool! it’s the best soundtrack i’ve heard to a movie in years.
bridges has some great lines with "It was bio-digital jazz, man!" being amongst my favourites. is there nothing this dude can do to *not* be the best thing in any movie he is in. he’s not even the main charcter and he’s the one that sticks in your head when the movie is over! but if you blink you’ll miss the appearance of tron himself which was a little dissappointing - given the movie’s title and the fact that brucie boxleitner is also great. i really thought he’d play a bigger part than he did. shame. michael sheen comes very close to wrecking the movie with his ridiculous nightclub owner, but i won’t hold it against him - he’s memorable.
the movie is at heart a tale of good versus evil and is a refreshing change from some of the disney pap that gets churned out. or even the supposedly kid friendly movies that are as vacuous as a really vacuous thing in a very big vacuum. yes i’m looking at you marmaduke!
so after 30 years tron is back and i didn’t expect to, but i loved every minute of it.
as did my boys who watched it the night before me and informed me that “it was brilliant!”.
knowing how picky my boys can be about a movie - it’s high praise indeed.
anyway - you get light cycles!! that should be all that you need for a reason to go watch it.
the bucket list: #1 do not watch the bucket list.
black swan review
another misleading movie poster
welcome to shutter island, we hope you enjoy your stay

scorsese has created an incredible visual treat. here we have a film noir that harks back to the old movies of hitchcock, and it effectively grabs you by the shoulders and drags you in. the dark lighting, long shadows, awesome music, the storm that isolates the island from the mainland, the lighthouse [who doesn’t love a creepy lighthouse?!?] and let’s not forget the memorable characters who occupy this mad island.
all that aside, it’s the raw emotion that you get from the movie of both the characters and their surroundings, that make this movie so incredible intense. all the characters serve a purpose, they are not just empty plot devices, and they are fully realised, and help make the movie deeply moving and occasionally very hard to watch.
anyway – i digress – shutter island is a great example of a modern thriller, with an ending that has kept myself and my friends talking since i first saw it last year.
elizabeth
the hurt locker
well the student movie night didn't go quite as planned. there was some miscommunication regarding who was actually bringing along the dvd - resulting in us not having one to show. oops!
anyway, after gaz took a trip home [btw - i'm not referring to myself in the third person, it's a different gaz!] we settled down in the cold churchhouse loft with snacks and our very large screen to watch 'the hurt locker'.
i could go on about how it garnered best film oscar [amongst many] but i personally don't put any worth on the flakey goldness of the oscars as they really only have one purpose - and that's to do a little self glorification. as it stands, the hurt locker *was* the best film of that year... period!
so it was good to get a chance to watch it again. it's not really a standard war movie in that there is no over the top action, non-stop large scale battles, or even the psychological examinations a la platoon. it's a relatively small film, the focus being on one man and the 2 or 3 men who he works with. these guys are bomb disposal experts - in iraq. we come into the movie part way through their tour, ride along with them in the incredibly tense situations of ied's that they have to deal with along with snipers - they are never safe, and you get a real sense of that. then we leave them in the same way we were introduced to them. it's great to see a movie that breaks the mould.
that's all there is to this movie. it's tense, sometimes slow, often thoughtful, sometimes moving, always brilliant.
there were other good movies that year [avatar, inglourious basterds, district 9, up] but there really was no contender for *best* movie...
the book of eli
one train you'll want to miss! [sorry]

nuff said!
movie vs book
haven’t written a movie review for a while. so let’s get stuck in…
this story, however, is not about daddy. It’s about bruno, his 8 year old son. bruno is blissfully unaware of what his father is involved in. to him the people in the fields out the back of his new home are just oddly dressed farm workers.
like so many young boys, bruno wants to be an explorer, and it’s bruno’s forbidden explorations in his back garden that bring him to the fence that surrounds the ‘farm’.
behind the fence sits a boy his own age, shmuel. shmuel is experiencing the same loneliness as bruno and very quickly a bond builds between the two boys, but they are both unaware of the horrible reality of their situation.
you can’t say that you “enjoy” a movie like this. you simply observe it and hopefully - if it’s been done right - it will absorb you. also – I feel I need to point out that this isn’t a war film. It’s a film about a family experiencing change beyond comprehension. coming to a realisation that so many must have gone through.
Even though I think the impact of the film was muted due to me having read the novel, I have to say this is one of the most human stories about this dark era that i have ever seen.
discover the cove
i love a good documentary. i’m not talking about your al gore powerpoint nonsense, i’m talking about the ‘real’ documentary, where there is real footage with real people in real situations.
‘the cove’ is one such documentary.
it’s true that the best documentary is one that manipulates audience into accepting it’s viewpoint as the truth and nothing but the truth, but when the subject matter is as visceral as it is in this movie, it’s difficult to feel anything other than sickened.
‘the cove’ is directed by louie psihoyos, the founder of ops [oceanic preservation society], and his movie documents the goings-on in taiji, japan. taiji is a small place that to your normal visitor gives the impression that it loves sealife – there are boats shaped like whales and giftshops packed with fluffy dolphins and whales, flags, and other paraphernalia. however what actually happens in the town of taiji, between september and march every year, is the slaughter of thousands of dolphins!
ironically, the crusader for this cause is ric o'barry, the guy who trained and stared in ‘flipper’ in the 60s, and introduced the idea of capturing dolphins for ‘entertainment’. he has dedicated the last 35 years of his life as an activist against the capture and senseless killing of these beautiful, intelligent creatures.
the power and message of this movie is very hard to ignore.
as we grow up we are aware of certain causes that are fighting for the restoration of order to so much of this world. these kind of things have been happening for years, but i find it deeply disturbing that the older i get the more i discover about the wanton destruction of our planets habitats and life in almost every area.
we cannot be in-activists when we see so much that is wrong with this world that needs putting right. and as the movie says, we cannot wait for governments to make the changes that are needed, as the governments are part of the problem. we as individuals need to make a stand.
save the dolphin
save the whale
save the brown bear
save the trees
for goodness sake, we are stewards of this world. charged with it’s care and nurture by it’s creator.
…save the planet!